Première of the new solo harp piece with video(camera) by Johannes Kreidler during the Gaudeamus Music Week September 2018 in Utrecht, NL!

September 9th, 14.00, ‘SOLO – SHADOW – DOPPELGÄNGER’,

5 pieces for ‘augmented’ harp

with the newest repertoire for harp, electronics, video, and samples, with Wilbert Bulsink playing samples,  info&tickets

During the Gaudeamus Music Week in September 2018, I will play Johannes Kreidler’s new piece together with some other new pieces in that the harp is shadowed, doubled or copied by electronics, samples or video.

  • Ruud Roelofsen  –   |<örperlich |V, for harp and electronics (2017), Wilbert Bulsink, electronics
  • Hibiki Mukai  –  Bishoujo-Kakumei, for harp and electronics, (2017), Gaudeamus selection
  • Wilbert Bulsink  –  voordat… (2013)
  • Johannes Kreidler  –  premiere of a new work for harp and video(-camera) (2018)
  • Bart de Vrees  –   Nascent/Naissent for harp and samples (2016), Wilbert Bulsink, samples



Other pieces:

Since years I am working a lot with composers enlarge repertoire and sound of our instrument and that resulted in a couple of nice and interesting pieces by several Dutch and German composers. I gave commissions to Martin Schüttler, Wilbert Bulsink, Ruud Roelofsen, Bart de Vrees and recently to Johannes Kreidler. The composers wrote for harp solo, or solo with electronics, with TV and CD-player, for tow harps played at the same time or video

New works from the past years written for Miriam:

  • Bart de Vrees – Nascent/Naissant (2016) (for Miriam and Wilbert) – video
  • Martin Schüttler – schöner leben (sumo D.D.) (2008) – video
  • Ruud Roelofsen – |<örperlich 4 (2017) (for Miriam and Wilbert)
  • Robert van Heumen – Spill (2015) – video
  • Albert van Veenendaal – The Plastic Crusader (2013) – video
  • Noriko Koide – Pisang Bali (2015)
  • Thomas Myrmel – Wings Imparted (2013) for two harps and one player